About

The Hilgrims are:
STARRY MAGNET: 8-string, okoleo, bowed triple bass, Slender precision, garage keys
JOHNNY UNDERWHITE: tempered snare, vibraslop, polymeter pad, acoustic eel
DUSTIN FLORENTINO: droplet harmonizer, mystic shambourine, luge, vox popili
MIC KINLOW - talking between the songs, reverbmaster, Moog, nie-Moog, yoyo

They have played in many famous formations, such as Manchester United Tramps, Old Meadow Bells and Onward Yanoov

The railway tracks near our recording studio are really peculiar.
Not really attesting to Ingelfinger Rule,
the proclivity adjacent to the rampant train glides smoothly towards the fulcrum of the bent tokens.
This might have something to do with the unusual density of the air,
possibly charged by the nearby airport ( 0.8888 llb/cu ft),
which generates the harmonics-to-base ratio of 3/7, as encountered recently in April.
The translucent evaluator, which may convert the analogue signal of the axle counter sensor into a digital signal,
can hardly detect the formants, as defined in the Hermann grid,
due to the very nature of the forests surrounding, full of pennaceous feathers.

The analogue technology deployed on the symmetrical axis of the fields in question,
was crucial in capturing the electrostatic discharge,
bluntly called brush by some,
so evocative of the Hilgrims' attempts to solve the crisis of tonality through unlikely harmonic inflections.
Conceived as a brave nod to Olivier Messiaen, the first album of the band,
bears little resemblance to the grizzly hodge-podge aural technique of the interwar years,
but rather dates back to the medieval custom of transforming nonpitch characteristics into circular,
self-demanding magnification of the surface features.
Little did they know how this monochromatic palette diverged in the birchwood downhill.

In the future we might re-define our style, says Johhnny, the éminence grise of the band.